A William C. Morris Debut Award Finalist
Listen to the First Chapter:
From the Book Jacket:
A half-Japanese teen grapples with social anxiety and her narcissist mother in the wake of a crushing rejection from art school in this debut novel.
Kiko Himura has always had a hard time saying exactly what she’s thinking. With a mother who makes her feel unremarkable and a half-Japanese heritage she doesn’t quite understand, Kiko prefers to keep her head down, certain that once she makes it into her dream art school, Prism, her real life will begin.
But then Kiko doesn’t get into Prism, at the same time her abusive uncle moves back in with her family. So when she receives an invitation from her childhood friend to leave her small town and tour art schools on the west coast, Kiko jumps at the opportunity in spite of the anxieties and fears that attempt to hold her back. And now that she is finally free to be her own person outside the constricting walls of her home life, Kiko learns life-changing truths about herself, her past, and how to be brave.
From debut author Akemi Dawn Bowman comes a luminous, heartbreaking story of identity, family, and the beauty that emerges when we embrace our true selves.
Reviews:
For Kiko, a biracial Nebraska teen, attending Prism, a prestigious art school, will allow her to pursue her dream of making art and to escape a toxic family environment; denied admission, she has no Plan B.
Kiko’s Japanese-American father and his new wife, a white woman, like Kiko’s mom, are preoccupied parents of twin baby girls. Kiko and her two brothers live with their self-absorbed mother, who belittles all things Japanese, raising Kiko to consider herself unworthy and her Japanese features ugly, to the point where she and her brothers used to compete over who looked least Asian. Knowing her brother abused Kiko as a small child, her mother not only allows Uncle Max to move in, she prohibits Kiko from putting a lock on her door. Kiko knows she must leave, but her traumatic upbringing has left her with crippling social anxiety, and her only close friend has left for college. A chance meeting with Jamie, the white boy who was her childhood crush, rekindles their friendship, and he invites Kiko to stay with his family in California while checking out art schools. There, mentored by a Japanese-American artist and befriended by his family, Kiko blossoms. Readers will wonder why Kiko’s mother is more monster than human; why insecure Kiko was certain she’d be accepted to the country’s most prestigious art school (and how she’d afford it); and why the cover depicts a jellyfish rather than the titular starfish.
If not all elements persuade, Kiko’s sometimes-halting journey from defensive passivity to courageous self-realization remains believable and moving throughout.
-- Kirkus Reviews
Graduating from high school and attending Prism Art School in New York City is the only thing keeping half-Japanese, half-white Kiko Himura going. Her Asian features and roots have made her feel like an outsider in her community, and her low self-esteem stems from the cruelty she endures from her distant and emotionally abusive mother. After Kiko reconnects with her childhood friend Jamie, gets rejected by Prism, and faces the return of her sexually abusive uncle, she opts to drive to California with Jamie to check out art schools. There, she meets artist Hiroshi Matsumoto, who recognizes Kiko’s talent and mentors her. In an empowering novel that will speak to many mixed-race teens, debut author Bowman has created a cast of realistically complex and conflicted characters. She elegantly channels Kiko’s anxieties, and each chapter ends profoundly with a description of her drawings that reflects her growth, setbacks, or newfound understanding (“I draw the sun teaching the moon how to shine”). Through art, Kiko gains a voice and finally understands that she is worthy, desirable, and talented. -- Publishers Weekly
Comments